Paradise and the Serpent.
Herakles and Athena in a holy picture—Human significance of Eden—The legend in Genesis puzzling—Silence of later books concerning it—Its Vedic elements—Its explanation—Episode of the Mahábhárata—Scandinavian variant—The name of Adam—The story re-read—Rabbinical interpretations.
Montfaucon has among his plates one (XX.) representing an antique agate which he supposes to represent Zeus and Athena, but which probably relates to the myth of Herakles and Athena in the garden of Hesperides. The hero having penetrated this garden, slays the dragon which guards its immortalising fruit, but when he has gathered this fruit Athena takes it from him, lest man shall eat it and share the immortality of the gods. In this design the two stand on either side of the tree, around which a serpent is twined from root to branches. The history which Montfaucon gives of the agate is of equal interest with the design itself. It was found in an old French cathedral, where it had long been preserved and shown as a holy picture of the Temptation. It would appear also to have previously deceived some rabbins, for on the border is written in Hebrew characters, much more modern than the central figures, ‘The woman saw that the tree was good for food, and that it was pleasant to the eyes, and a tree to be desired to make one wise.’
This mystification about a design, concerning whose [64]origin and design there is now no doubt, is significant. The fable of Paradise and the Serpent is itself more difficult to trace, so many have been the races and religions which have framed it with their holy texts and preserved it in their sacred precincts. In its essence, no doubt, the story grows from a universal experience; in that aspect it is a mystical rose that speaks all languages. When man first appears his counterpart is a garden. The moral nature means order. The wild forces of nature—the Elohim—build no fence, forbid no fruit. They say to man as the supreme animal, Subdue the earth; every tree and herb shall be your meat; every animal your slave; be fruitful and multiply. But from the conflict the more real man emerges, and his sign is a garden hedged in from the wilderness, and a separation between good and evil.The form in which the legend appears in the Book of Genesis presents one side in which it is simple and natural. This has already been suggested (vol. i. p. 330). But the legend of man defending his refuge from wild beasts against the most subtle of them is here overlaid by a myth in which it plays the least part. The mind which reads it by such light as may be obtained only from biblical sources can hardly fail to be newly puzzled at every step. So much, indeed, is confessed in the endless and diverse theological theories which the story has elicited. What is the meaning of the curse on the Serpent that it should for ever crawl thereafter? Had it not crawled previously? Why was the Tree of the knowledge of Good and Evil forbidden? Why, when its fruit was tasted, should the Tree of Life have been for the first time forbidden and jealously guarded? These riddles are nowhere solved in the Bible, and have been left to the fanciful inventions of theologians and the ingenuity of [65]rabbins. Dr. Adam Clarke thought the Serpent was an ape before his sin, and many rabbins concluded he was camel-shaped; but the remaining enigmas have been fairly given up.
The ancient Jews, they who wrote and compiled the Old Testament, more candid than their modern descendants and our omniscient christians, silently confessed their inability to make anything out of this snake-story. From the third chapter of Genesis to the last verse of Malachi the story is not once alluded to! Such a phenomenon would have been impossible had this legend been indigenous with the Hebrew race. It was clearly as a boulder among them which had floated from regions little known to their earlier writers; after lying naked through many ages, it became overgrown with rabbinical lichen and moss, and, at the Christian era, while it seemed part of the Hebrew landscape, it was exceptional enough to receive special reverence as a holy stone. That it was made the corner-stone of Christian theology may be to some extent explained by the principle of omne ignotum pro mirifico. But the boulder itself can only be explained by tracing it to the mythologic formation from which it crumbled.
How would a Parsi explain the curse on a snake which condemned it to crawl? He would easily give us evidence that at the time when most of those Hebrew Scriptures were written, without allusion to such a Serpent, the ancient Persians believed that Ahriman had tempted the first man and woman through his evil mediator, his anointed son, Ash-Mogh, ‘the two-footed Serpent.’
But let us pass beyond the Persian legend, carrying that and the biblical story together, for submission to the criticism of a Bráhman. He will tell us that this Ash-Mogh of the Parsi is merely the ancient Aèshma-daéva [66]of the Avesta, which in turn is Ahi, the great Vedic Serpent-monster whom Indra ‘prostrated beneath the feet’ of the stream he had obstructed—every stream having its deity. He would remind us that the Vedas describe the earliest dragon-slayer, Indra, as ‘crushing the head’ of his enemy, and that this figure of the god with his heel on a Serpent’s head has been familiar to his race from time immemorial. And he would then tell us to read the Rig-Veda, v. 32, and the Mahábhárata, and we would find all the elements of the story told in Genesis.
In the hymn referred to we find a graphic account of how, when Ahi was sleeping on the waters he obstructed, Indra hurled at him his thunderbolt. It says that when Indra had ‘annihilated the weapon of that mighty beast from him (Ahi), another, more powerful, conceiving himself one and unmatched, was generated,’ This ‘wrath-born son,’ ‘a walker in darkness,’ had managed to get hold of the sacred Soma, the plant monopolised by the gods, and having drunk this juice, he lay slumbering and ‘enveloping the world,’ and then ‘fierce Indra seized upon him,’ and having previously discovered ‘the vital part of him who thought, himself invulnerable,’ struck that incarnation of many-formed Ahi, and he was ‘made the lowest of all creatures’.
But one who has perused the philological biography of Ahi already given, vol. i. p. 357, will not suppose that this was the end of him. We must now consider in further detail the great episode of the Mahábhárata, to which reference has been made in other connections.1 During the Deluge the most precious treasure of the gods, the Amrita, the ambrosia that rendered them immortal, was lost, and the poem relates how the Devas and Asuras, otherwise gods [67]and serpents, together churned the ocean for it. There were two great mountains,—Meru the golden and beautiful, adorned with healing plants, pleasant streams and trees, unapproachable by the sinful, guarded by serpents; Mandar, rocky, covered with rank vegetation, infested by savage beasts. The first is the abode of the gods, the last of demons. To find the submerged Amrita it was necessary to uproot Mandar and use it to churn the ocean. This was done by calling on the King Serpent Ananta, who called in the aid of another great serpent, Vásuki, the latter being used as a rope coiling and uncoiling to whirl the mountain. At last the Amrita appeared. But there also streamed forth from the ocean bed a terrible stench and venom, which was spreading through the universe when Siva swallowed it to save mankind,—the drug having stained his throat blue, whence his epithet ‘Blue Neck.’
When the Asuras saw the Amrita, they claimed it; but one of the Devas, Narya, assumed the form of a beautiful woman, and so fascinated them that they forgot the Amrita for the moment, which the gods drank. One of the Asuras, however, Ráhu, assumed the form of a god or Deva, and began to drink. The immortalising nectar had not gone farther than his throat when the sun and moon saw the deceit and discovered it to Naraya, who cut off Ráhu’s head. The head of Ráhu, being immortal, bounded to the sky, where its efforts to devour the sun and moon, which betrayed him, causes their eclipses. The tail (Ketu) also enjoys immortality in a lower plane, and is the fatal planet which sends diseases on mankind. A furious war between the gods and the Asuras has been waged ever since. And since the Devas are the strongest, it is not wonderful that it should have passed into the folklore of the whole Aryan world that the evil host are for ever seeking to recover by cunning the Amrita. The [68]Serpents guarding the paradise of the Devas have more than once, in a mythologic sense, been induced to betray their trust and glide into the divine precincts to steal the coveted draught. This is the Kvásir2 of the Scandinavian Mythology, which is the source of that poetic inspiration whose songs have magical potency. The sacramental symbol of the Amrita in Hindu Theology is the Soma juice, and this plant Indra is declared in the Rig-Veda (i. 130) to have discovered “hidden, like the nestlings of a bird, amidst a pile of rocks enclosed by bushes,” where the dragon Drought had concealed it. Indra, in the shape of a hawk, flew away with it. In the Prose Edda the Frost Giant Suttung has concealed the sacred juice, and it is kept by the maid Gunlauth in a cavern overgrown with bushes. Bragi bored a hole through the rock. Odin in the shape of a worm crept through the crevice; then resuming his godlike shape, charmed the maid into permitting him to drink one draught out of the three jars; and, having left no drop, in form of an eagle flew to Asgard, and discharged in the jars the wonder-working liquid. Hence poetry is called Odin’s booty, and Odin’s gift.
Those who attentively compare these myths with the legend in Genesis will not have any need to rest upon the doubtful etymology of ‘Adam’3 to establish the Ayran [69]origin of the latter. The Tree of the knowledge of Good and Evil which made man ‘as one of us’ (the Elohim) is the Soma of India, the Haoma of Persia, the kvásir of Scandinavia, to which are ascribed the intelligence and powers of the gods, and the ardent thoughts of their worshippers. The Tree of Immortality is the Amrita, the only monopoly of the gods. ‘The Lord God said, Behold the man is become as one of us, to know good and evil: and now, lest he put forth his hand, and take also of the tree of life, and eat, and live for ever: Therefore the Lord God sent him forth the garden of Eden to till the ground whence he had been taken. So he drove out the man; and he placed on the east of the garden of Eden cherubim, and a flaming sword which turned every way, to guard the way of the tree of life.’
This flaming sword turning every way is independent [70]of the cherub, and takes the place of the serpent which had previously guarded the Meru paradise, but is now an enemy no longer to be trusted.
If the reader will now re-read the story in Genesis with the old names restored, he will perceive that there is no puzzle at all in any part of it:—‘Now Ráhu [because he had stolen and tasted Soma] was more subtle than any beast of the field which the Devas had made, and he said to Adea Suktee, the first woman, Have the Devas said you shall not eat of every tree in the garden? And she said unto Ráhu, We may eat of the fruit of the trees of the garden; but of the Soma-plant, which is in the middle of the garden, the Devas have said we shall not eat or touch it on pain of death. Then Ráhu said to Adea, You will not suffer death by tasting Soma [I have done so, and live]: the Devas know that on the day when you taste it your eyes shall be opened, and you will be equal to them in knowledge of good and evil ... [and you will be able at once to discover which tree it is that bears the fruit which renders you immortal—the Amrita].... Adea took of the Soma and did eat, and gave also unto Adima, her husband, and the eyes of them both were opened.... And Indra, chief of the Devas, said to Ráhu, Because you have done this, you are cursed above all cattle and above every beast of the field; [for they shall transmigrate, their souls ascend through higher forms to be absorbed in the Creative principle; but] upon thy belly shalt thou go [remaining transfixed in the form you have assumed to try and obtain the Amrita]; and [instead of the ambrosia you aimed at] you shall eat dirt through all your existence.... And Indra said, Adima and Adea Suktee have [tasted Soma, and] become as one of us Devas [so far as] to know good and evil; and now, lest man put forth his hand [on our precious Amrita], and take also of the tree of life, and eat, and [71]live for ever [giving us another race of Asuras or Serpent-men to compete with].... Indra and the Devas drove Adima out of Meru, and placed watch-dogs at the east of the garden; and [a sinuous darting flame, precisely matched to the now unchangeable form of Ráhu], a flaming sword which turned every way, to keep the way of the Amrita from Adima and Asuras.’
While the gods and serpents were churning the ocean for the Amrita, all woes and troubles for mortals came up first. That ocean shrinks in one region to the box of Pandora, in another to the fruit eaten by Eve. How foreign such a notion is to the Hebrew theology is shown by the fact that even while the curses are falling from the fatal fruit on the earth and man, they are all said to have proceeded solely from Jehovah, who is thus made to supplement the serpent’s work.
It will be seen that in the above version of the story in Genesis I have left out various passages. These are in part such as must be more fully treated in the succeeding chapter, and in part the Semitic mosses which have grown upon the Aryan boulder. But even after the slight treatment which is all I have space to devote to the comparative study of the myth in this aspect, it may be safely affirmed that the problems which we found insoluble by Hebrew correlatives no longer exist if an Aryan origin be assumed. We know why the fruit of knowledge was forbidden: because it endangered the further fruit of immortality. We know how the Serpent might be condemned to crawl for ever without absurdity: because he was of a serpent-race, able to assume higher forms, and capable of transmigration, and of final absorption. We know why the eating of the fruit brought so many woes: it was followed by the stream of poison from the churned ocean which accompanied the Amrita, and which would have destroyed the race of both gods and men, had not Siva drank it up. If anything were required to make the Aryan origin of the fable certain, it will be found in the fact which will appear as we go on,—namely, that the rabbins of our era, in explaining the legend which their fathers severely ignored, did so by borrowing conceptions foreign to the original ideas of their race,—notions about human transformation to animal shapes, and about the Serpent (which Moses honoured), and mainly of a kind travestying the Iranian folklore. Such contact with foreign races for the first time gave the Jews any key to the legend which their patriarchs and prophets were compelled to pass over in silence.
